American cinema has often used for the construction of their set, the paintings of Edward Hopper ( compare the store in June 2008 - The Simpsons ). This artist, considered the founder of realist painting, painting the bleak and lonely life of America of his time. His paintings froze moments of everyday life that were consumed in cold offices or anonymous motel. Many directors have "used" these paintings for the realization of their sequences.
Alfred Hitchcock used a painting: House by the Railroad to rebuild the house left and distressing by Norman Bates in Psycho .
Psycho
Edward Hopper, House by the Railroad - 1927 Woody Allen the director of New York more than any American film, paid tribute to his city with Manhattan. For the sequence in which Isaac Davis and Mary Wilke are sitting on a bench in front of all 'East River, the film follows closely Queensboro Bridge.
Manhattan
Edward Hopper, Queensboro Bridge - 1913 Brian De Palma's for Untouchables , shooting the same perspective cut the same size and architectural Night Windows , in the sequence where Jimmy Malone will be brutally murdered .
The Untouchables
Edward Hopper Night Windows - 1928
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