From a series of novels by Arturo Perez-Reverte , Agustín Díaz Yanes directs this ambitious film. Set in the seventeenth century, tells of the exploits of some English soldiers ready to sacrifice themselves to defend their country is sliding rapidly toward economic decline and political. The fate of a warrior is pleased to pay tribute to the painting of 1600, in particular the work of English painter Diego Velazquez .
The miserable attempt to trace The Surrender of Breda, it remains only a clumsy imitation school.
The fate of a warrior
Diego Velazquez, The Surrender of Breda (1634-35) The figure of Francisco de Quevedo , an intellectual who really existed in Spain in the seventeenth century, is faithfully captured by a portrait that Velazquez made in this letter.
The fate of a warrior
Diego Velazquez, Portrait of Francisco de Quevedo (1643 c.)
course, the Duke De Olivares is traced from a painting.
course, the Duke De Olivares is traced from a painting.
The fate of a warrior
Diego Velazquez, Duke De Olivares (1635) The most interesting and perhaps unique, is the final sequence of the battle against the French army. Here Agustín Díaz Yanes reconstructs the chaotic and dramatic compositions of Battle of San Romano, of Paolo Uccello . The long spears draw vertical and horizontal lines that intersect in the bloody struggle between the bodies of soldiers and horses.
The fate of a warrior
Paolo Uccello, The Battle of San Romano (1456)
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